Match the Indian musicians of the early twentieth century with their field of expertise: Musician Field of expertise Choose the c…
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Question
Match the Indian musicians of the early twentieth century with their field of expertise: Musician Field of expertise
| 1. Narayana Dasu | i. Violin |
|---|---|
| 2. Dhanammal | ii. Harikatha |
| 3. Allauddin Khan | iii. Veena |
| 4. Chowdiah | iv. Sarod |
| v. Hindustani vocal |
Choose the correct answer:
- A. 1-i, 2-ii, 3-v, 4-iv
- B. 1-ii, 2-i, 3-iii, 4-v
- C. 1-iii, 2-i, 3-iv, 4-ii
- D. 1-ii, 2-iii, 3-iv, 4-i (Correct answer)
Correct Answer
Option D — 1-ii, 2-iii, 3-iv, 4-i
Detailed Solution & Explanation
The correct answer is 1-ii, 2-iii, 3-iv, 4-i.
Key Points
- Matching the musicians with their fields:
| Musician | Field |
|---|---|
| Narayana Dasu | Harikatha |
| Veena Dhanammal | Veena |
| Allauddin Khan | Sarod |
| Chowdiah | Violin |
- This gives 1-ii, 2-iii, 3-iv, 4-i.
Additional Information
- Adibhatla Narayana Dasu (1864–1945) was the pioneer of Harikatha in Telugu — a narrative form blending storytelling, music, dance and philosophy. He was honoured as *Harikatha Pitamaha*.
- Veena Dhanammal (1867–1938) was among the most revered Carnatic musicians of her time, celebrated for a restrained, deeply contemplative veena style; her lineage produced T. Brinda and T. Muktha.
- Ustad Allauddin Khan (c. 1862–1972) of the Maihar gharana was a master of the sarod and one of the most influential teachers in Hindustani music. His students included his son Ali Akbar Khan, his daughter Annapurna Devi, and Pandit Ravi Shankar.
- Mysore T. Chowdiah (1895–1967) was the great Carnatic violinist known for playing a distinctive seven-stringed violin.
- Distinguishing the two systems: Hindustani music of north India and Carnatic music of the south share ragas and talas in principle but differ in presentation — Carnatic is more composition-centred, Hindustani more improvisation-centred around a raga's development.
- Instrument families: *tata* (string, e.g. veena, sitar, sarod), *sushira* (wind, e.g. flute, shehnai), *avanaddha* (percussion with skin, e.g. tabla, mridangam), *ghana* (solid, e.g. jaltarang, manjira).
Topics covered: Indian Music Art & Culture History